For this twelfth part in the Groove Backpack series I created this Mixolydian slap bass groove that you can play over a dominant 7 chord. While a lot of slap bass is written in the key of E, this one is written in D. Pretty exciting right ;)? I hope
Read moreGroove Backpack #11 – Disco Funk Bassline over II-V
Disco and funk are known for their elaborate groovy basslines. There are few other music styles that so heavily revolve around what the bass player plays. In this already eleventh part of my series Groove Backpack, I’ve written a disco, funk bassline over a II-V. I hope it inspires you
Read moreGroove Backpack #10 – Building basslines with the pentatonic scale
One of the first scales you learn when diving into theory is the pentatonic scale. It is a powerful five note scale that is used in numerous musical styles. But how do you make basslines with the pentatonic scale? In this article I will give you a few examples. If
Read moreCreate your own basslines: Adding to the root notes
How can you create a bassline which doesn’t only consist of the root note of every chord? And what other possibilities are there when it comes to note choice? This article features some tips and tricks to create more elaborate and interesting basslines. Let’s get started! When you add extra
Read moreGroove Backpack #9 – Amazing basslines over major seventh chords
To be a complete bass player, it is essential to be able to play basslines over every different chord type. Most bass players who are into funk and blues have a huge vocabulary when it comes to playing over minor and dominant chords. Major 7th chords however aren’t used often
Read moreGBP #8 – Using the minor pentatonic scale in bass fills
Often the first scale every bass player learns is the minor pentatonic scale. And there is a good reason for that. The minor pentatonic scale is found in every style of music from funk to jazz to blues and metal. It is an essential tool every aspiring bass player needs
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